Making the Film - Interviews


Elliot Grove - 28/May/02

Question 1: "Elliot, there are many young filmmakers just starting out now who have heard about the successes of Blair Witch and Clerks, and how they came through the festival route. Many of them will want to follow the same strategy, but may not throughly understand the structures and procedures involved. If a film maker has a great film and wants to take it to film festivals, what options are available to them, and what are the possible benefits of each avenue?"

The filmmakers of Clerks and Blair Witch understood how festival politics worked. They carefully waited until they were accepted (in both cases) to the prestigious Sundance film festival. Had they played in another smaller festival first, they would have eliminated themselves, as Sundance, like most major film festivals, demands world premieres.

Once accepted to the festival, a savvy filmmaker will know how to work the press and create buzz for their film.

The actual process is quite simple: You find out what festivals are accepting films when you have finished your film, either by getting the BFI's book on film festivals (13UKP) or by looking at http://www.filmfestivals.com.

Simply follow the rules and regulations for each festival and send it in and wait to see if they liked it enough to screen it.

At Raindance we have an evening course called Film sales and distribution which details this process.

For information on Sales and Distribution, go to this page.


Question 2: "It was recently announced on your site that a film about miniature Vampires costing only 10K was sold for 80K at Cannes. Could you give us a quick overview of what the likely chain of events would have been for the directors involved, from deciding to enter Cannes, all the way through to selling the film?"

Ankle Biters was not included in the Cannes Film festival, but in the Marche du Film - a film market that happens to run concurrently with the festival.

There were over 1500 film titles on sale in the market: everything from Insomnia (Chris Nolan's new film) to the woody Allen film that opened the festival to the lowly Ankle Biters - a fine film about miniature vampires.

The director and producer would have shown the film to a number of sales agents, one of whom would have then agreed to represent the film at the film market - much in the same way you might instruct an agent to sell your mansion. At the market the sales agent attempts to sell the rights to the film to as many different territories as possible. Bowling for Columbine was sold to United artists for millions - and that was for the rights in the USA only. Ankle Biters sold to a whole series of countires, including the UK (3500 USD), to make a grand total of 85K USD

Raindance does an excellent course explaining how to make and sell a quality feature film and make money from it called Lo-To-No Budget filmmaking. Details on this page.


Question 3: "In a recent interview with Tom Fogg for Netribution, you mentioned how everything you know about film has come from either learning on the job, or watching others. With this in mind, what 'tricks' have you picked up in your time for increasing the chances of selling a movie at a film festival?"

Ooooh. Thats a tough one. Sometimes I think I've learned a lot - other times I think I haven't learned a thing. One thing they say in the film industry is that 'nobody knows anything'. Every single project I have ever worked on has been totally different. My advice is to realise that at the end of the day, most filmmaking combines good common sense with basic secretarial organizational skills!

Remember that it is the entertainment industry and people expect to be entertained.


Question 4: "What cautionary points would you press upon any film maker who was considering taking their film on the festival circuit?"

Taking your film to a festival is a wonderful experience. Film festivals exist to provide you with an audience to adore and appreciate your work. Before you attend a festival, make sure you know why you are going. Is it to get an award? To get an interview? To sell your film? Or to get pulled? Either way is fine. When you have made your decision about why you want to go, make sure you do your homework so you can attend as prepared as possible. Have Fun!